This work consist of three corresponding elements: two short films and a series of sculptures. The main object in the short film Shelter is an undergroundshelter repurposed for a kind of school that delivers pre-service training. Themain character, an elderly teacher, also an archetype of Soviet ideology, doesnot seem to care about the contemporary political situation, instead opting tostay true to his own principles that have been inculcated into him throughmilitary service. His students could care less about the patriotism promoted inthe schoolbooks from their teenage years; instead, they reserve their passionsfor the shooting ranges, inspired by computer games and Hollywood actionmovies. During the Cold war the political propaganda of the USSR and US produced a social phobia connected to the threat of nuclear war and the cult of defense. In modern Ukraine, many fallout shelters from the past have since been sealed. A few have been converted to serve new functions, adapted to different needs through individual creativity, spurred on by an overall lack of facilities. 

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For the short film Father's story Ridnyi asked his father to make a video tour of the cellar beneath the rural house in which his family used to live. A voiceover features Ridnyi’s father describing objects in the dark cellar such as jars with homemade vegetable preserves, glasses for moonshine, old newspapers with pictures of Lenin and the proletariat, all of which surface old memories about his parents and nostalgia for a Soviet childhood.